→BOULEVARD (2007) WEB BASED AUDIO / VIDEO. RUNNING TIME 12 MINUTES View this work In Boulevard we follow a striking woman, the passenger of a convertible car, driven by an unidentified driver through the city, passing its generic streets, billboards and motels, with an unknown destination...

→TRIPTYCH: MOTION STILLNESS RESISTANCE (2006) WEB BASED VIDEO. INDEFINITE LOOP View this work Triptych: Motion Stillness Resistance is a generative, video-based triptych that explores three dynamics: motion, stillness and resistance. Each panel of Triptych focuses on one dynamic and uses these as visual metaphors for universal emotive and cognitive states taken from and reflecting my personal experiences. In Triptych three separate video streams run simultaneously in three panels. These videos are randomly chosen from a central database ...

→TENDERLY YOURS (2005) WEB BASED AUDIO / VIDEO. RUNNING TIME 10 MINUTES View this work Tenderly Yours resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous...

→INTERVALS (2004) COMMISSIONED FOR TURBULENCE.ORG WEB BASED AUDIO / VIDEO. RUNNING TIME 8 MINUTES View this work Intervals explores a series of characters whose investigation of self and identity unfold and elide through a sequence of cinematic interludes. At once seductive and illusive, these portraits successively expose their most intimate selves through accounts of lost innocence, fear of the unknown, masculine ritual and the mystery of love...

→ALBUM (2004) FROM THE NET.BASED EXHIBITION ENTITLED "PAUSE" WEB BASED AUDIO / VIDEO. RUNNING TIME 7 MINUTES View this work Unfolding as consciousness itself, ALBUM is a work of collected imagery and sound. This memory piece, which may be considered a condensed historical tracing, reveals a fictional biography that reflects upon the history of an individual recalling experiences of a life in the turbulence of the 20th century.

→THE PRESENCE OF ABSENCE (2003) COMMISSIONED FOR THE WHITNEY MUSEUM'S ARTPORT WEB BASED AUDIO / VIDEO. RUNNING TIME 6 MINUTES View this work In Peter Horvath's films for the web a multi screened, quasi-narrative unfolds with the participation of the viewer. Many of his pieces examine family histories, the city as organism, matters of the heart and the complexities of connection or disconnection with others. His audiovisual reveries share some of the open-ended qualities ...

→UNEXPECTED LAUNCHING OF HEAVY OBJECTS (2003) A PROJECT CONTRIBUTION TO "WARTIME" A PLANET WIDE COLLECTIVE EXHIBITION BY DIGITAL ARTISTS REFLECTING ON WAR. WEB BASED AUDIO / VIDEO. RUNNING TIME 2 MINUTES View this work In the WARTIME project, over fifty artists, individuals or groups, organizing through the internet, contribute pieces meditating and reflecting on war, past, present and future.

→EITHER SIDE OF AN EMPTY ROOM (2002) COMMISSIONED BY THE MUSÉE NATIONAL DES BEAUX-ARTS DU QUÉBEC FOR THE PROJECTED INSTALLATION "ELLIPSE" WEB BASED AUDIO / VIDEO. RUNNING TIME 14 MINUTES View this work The multi-windowed environment of the web browser is employed to mimic random patterns of the thought process where disjointed associations are played out in a sometime distinguishable often undistinguishable looping of images and sounds.

→LIFE IS LIKE WATER (2002) FROM THE MOBILEGAZE.ORG EXHIBIT "MATTER AND MEMORY" WEB BASED AUDIO / VIDEO. RUNNING TIME 12 MINUTES View this work LIFE IS LIKE WATER begins with questions that trigger a state of doubt. Then a series of videos contribute to deepen this impression of spatial and temporal confusion. It becomes difficult to properly identify the situation. It makes us think of a dream, of memories coming back, or of near-death experience stories.

→THREE TIMES REMOVED (1996) IMAGE AND TEXT BASED NARRATIVE. View this work Combining text, photos and animations, Three Times Removed uses the digital medium to reconstruct a family history through generational memories. The narrative consists of Iyrical fragments, such as glimpses of a childhood in wartime Budapest, and images that become tokens of memory. The yellowish tint of the digitized photos...

→THE GUIDE (1995) IMAGE AND TEXT BASED NARRATIVE. View this work The Guide can be accessed by clicking on the image of an old TV set; choosing a channel (by clicking on numbers) leads visitors to clippings from a TV guide; the attempt to provide two sentence summaries of movies is in itself humorous, and the fact that these decontextualized excerpts have no functionality for the medium they are presented in makes them even funnier.